2025-6

2025-5

  • I am presenting my research project Choreography of the Ghost (2021-2025) at the conference 404 Not Found at the Ruhr University Bochum.

  • A new work titled Unworking Migrant (2025) will be performed and exhibited as part of the group exhibition Looking After Each Other at The National Museum of Contemporary Art, Korea (MMCA). It’s a collaborative project with artist Taeyoon Choi and aims to inspire new conversations around the cultural construction of disability and labor by looking at migrant life, memories of bodies and the traveling of these memories to other bodies.

2025-4

  • Offset Memory exhibits a dialogue between my new poetry book Studies on Squats and its memory. It invites the audience to trace the fragile anatomy of a book by looking at it together with its material that had emerged before the ink dried. The exhibition is part of einBuch.Haus program Month of Listening.

2025-3

  • A cordial invitation to the public defense of my doctoral dissertation “Choreography of the Ghost - Dancing Resistance and Transcultural Archives” at the Freie Universität Berlin.

2025-1

  • I am teaching a seminar titled Dance and Resistance at the Fine Arts Academy Stuttgart, MFA program ‘Body, Theory and Poetics of the Performative.

2024-11

  • I am teaching a seminar titled Dance and Resistance will be held at the Fine Arts Academy Stuttgart, MFA program ‘Body, Theory and Poetics of the Performative.

2024-10

  • Artist Talk with choreographer Isabel Lewis at Kunstraum Mitte for the program DIFFRACTIONS: Collecting&U/learning

2024-9

  • Open Studio program at Forever in Seoul. I’m showing my new work in progress Sound Dance.

2024-8

  • I’ll be in Taipei as part of the ADAM artist lab, a residency program organized by the Taipei Performing Arts Center. During the Adam Gathering, I’ll also be joining a panel titled “Choreographing Politics with & for many other Bodies”

  • Doing an improv performance in collaboration with percussionist Joss Turnbull and curator/sound artist Isak Han in Berlin organized by KTB.

  • The Invisible Archive is launching its latest issue on the Nodeul School for the Disabled (written by Paolo Caffoni) at AGIT in collaboration with Hopscotch Reading Room.

2024-7

  • Joining an academic panel to introduce my research project “Choreography of the Ghost – Dancing Transcultural Archives and Resistance” at the Heinrich-Heine-Universitaet in Duesseldorf.

2024-6

2024-5

  • I’m sharing my work at the Dutch Art Institute as part of Archive Sites’s program choreopoethics. My three part session titled Dance and Resistance explores ideas of support structures, violence and dependency with regard to choreographic plurality.

  • Gayageum musician YouJin Sung and I present an improv collaboration at Project Space Kimgo, Berlin.

2024-4

  • I am giving a workshop titled Choreography of Care during my short residency at esea contemporary in Manchester, UK. The workshop will focus on ideas of expanded choreography, notation and the role of muism in the process of archiving movements.

2024-3

  • The Invisible Archive launches the Seoul Volume. The inaugural issue of the Seoul Volume features the politico-cultural practice of the Nodeul School for the Disabled and is written by Paolo Caffoni. The launch event takes place at Forever, Seoul.

  • Studies on Touch: Massage Shop is a choreographic archive project that researches and documents the movements of massage therapists in Seoul, Bangkok, and Taipei. I will present my findings in Seoul at the Momuro Salon through an installation and performance.

2024-2

  • ABK Stuttgart and Akademie Schloss Solitude are co-presenting a workshop sharing titled ‘What they say about bodies’ created in collaboration with the students of the MFA program ‘Body, Theory and Poetics of the Performative’. The sharing is performed by the students at the Experimentierbühne Heusteigtheater in Stuttgart.

2024-1

  • Join me for a lecture performance with the Miss Read Talks audience in Wedding, Berlin. The work is part of my current project “Parts of Dance” and is titled ‘I got a million dreams’. I will think about choreography as an expanded practice of publishing and how a sculptural approach to notation systems can open up new relationships to time, space, and the self.

  • I’m sharing my work at the Dutch Art Institute as part of Archive Sites’s program choreopoethics.

  • I’ve started working on a publication about the Studies on Squats project. It will be supported/co-published by ABK Stuttgart and I’m looking for a small-sized publisher to help with distribution.

2023-12

  • A selection of my visual poems and dance notations (No Tomorrow – Scores for the Unreliable Body) as part of the ongoing series ‘Parts of Dance’ will be shown at the accompanied during the Winterfest mit Open Studios at the Akademie Schloss Solitude. My lecture performance Farewell to I - Archiving through Dissolution is also part of the evening program at the Guibal Saal.

2023-11

2023-10

  • The artist residency at Akademie Schloss Solitude (Stuttgart, DE) and a cooperation fellowship with abk Stuttgart have started. As part of the cooperation fellowship, I’m co-teaching in the MFA program ‘Body, Theory and Poetics of the Performative’ with Discoteka Flamingstar.

2023-9

  • I’m giving a lecture series on vulnerability and social choreography in personal/public space at the dance department, Korea National University of Arts (Seoul, KOR).

  • The Invisible Archive is launching a new issue at the Miss Read art book fair (Berlin, DE): Volume Berlin, Issue No.3 on Annie Sprinkle & Beth Stephens written by Saskia Vogel; edited by the Invisible Archive team (managing editors Yon Natalie Mik & Paulina Gimpel); peer-reviewed by Tobias Wieland & Jess Aszodi.

2023-8